The old transmitters produced a lot of heat. JoJo Gunne was the last jock. Inside of Formula 63 package, courtesy Sam Sherwood. Special thanks to Jim du Bois for the use of the recording studio & to Donald K. Martin and Mike Cunningham for spending timein the interest to preserve some of the Twin Cities radio history. Proceeds were to be divided between the Minneapolis and St. Paul Community Chests. The DJs chose the music, which was 80 percent pop standard and 20 percent contemporary. Donald Perry was the General Manager. "WDGY Means the Most Music and the Most Money." No signal. Bears' Plan For No. Id like to think that 8 Steps Down was some kind of cool jazz program with some Brubeck, some Mingus, etc., but theres no way to know unless someone out there remembers! The station played four categories of Country: Drake-Chenaults sales manager explained that if a station tried to duplicate the format live, youd have to get supertalented country jocks, a top-notch country producer and all the other things. On November 3, 1972, the AM station was relaunched as WYOO, picking up an oldies format (with rock and roll included). (Were they ahead of their time?) In 2008, the station became WDGY after sister station 630 AM switched to Regional Mexican music, using the call letters WREY. Personnel listed were: The stations format was described in the Yearbook as Urban Contemporary. Although we think of WDGY as the Twin Cities first rock n roll station, it was not at all clear at the time. 1370 AM went through more ups and downs than probably any other local radio station. WDGY 1130 Minneapolis (Scroll Down For Airchecks), WDGY was owned by Storz Broadcasting and when they started it jukebox format of plying the hits again and again, they gave WCCO a run for the money. Found on Radiotapes.com: Ballad of Minnesota!. [In 1961, when the KFWB was having labor trouble, the owner shipped some Minnesota DJs to LA to cover.] By 1957 KSTP was squarely on the rock n roll bandwagon, but got off pretty quickly. [This was what Ed Skotch wanted to be The Nations Most Attention-Programmed Station, remember?] Try it yourself. (Guess who said that?) The station is the oldest continuously operating station in the state, dating to December 23, 1923 when Dr. George W. Young signed on with the call letters KFMT. That clock is probably showing real time. And when youre there, youre a celebrity. The Twins management got riled at the implications that its star catcher and other players were hanging around a saloon, and protested, so the Preacher toned it down. After a couple of changes the call letters became WDGY (Dr. George Young) in 1926. Who had the key? On June 6, 1965, Jones dedicated a long, three-column article to the concept of Soul Food, saying that while Billy G made it sound good, it was hard to come by. I have absolutely no idea what is going on here. Hes still sick of The Wayward Wind., As for where the lists came from, Ramsburg explains, Juke box operators depended on Cash Box, which was a few weeks faster with sales figures than Billboard. Channel 63 was back! Heres the story from Jim Stokes: KRSI originated Red Owl Stores storecast from their transmitter on what is called subcarrier. You can look it up. The precursor to KDWB was founded in 1951 by Nick, Vic and Al Tedesco, sons of Italian immigrants from the province of Calabria. We dug up the Colonel, I called and told him what we had in mind. Tom Wynn at his current job at KFGO in Fargo ND. The article in the Star Tribune outlined the new program: Drew Durigan: I DID hear them very well in 1988 as KMAP. Al, Nick, and Vic Tedesco, photo courtesy Pavek Museum of Broadcasting. Preacher Paul. Wedgy Devices for a variety of Electrical, Low Voltage, Plumbing, Piping, Mechanical, HVAC, Fire Protection and other construction applications using Wedgy Cable Supports. KSTP had some country shows as well, such as Dude Ranch Jamboree, but some of the other programs leave room for speculation that they may have played something hot: Rhythm at Random, Saturday Juke Box, Young Ideas, and Record Rack. Peterson gave the example of Hamms and Grain Belt beer highly patronized by the black community, but refused to buy time on the station. The entire concept, advertising and promotion was headed and created by Mike Siegelman, Rob Sherwood, and Bill Hartman. I was still in high school when this photo was taken. If we had to play junky music with morally degrading lyrics, wed get out of the business.. I sure miss those days. It had hope to start broadcasting a week ago but was held up by equipment delays. Other Facebook stories of the strength of the transmission: In 1952 the station was sold to a group of four local businessmen, one of which was Clarence T. Hagman. In 1959, WDGY gained a formidable challenger when KDWB launched. But that was overnights (considered a throwaway daypart by management) on a 50,000 watt station that reached from Canada to Cuba. Access Minnesota. KTCR signed on on April 5, 1962, as a Country station. Dick Driscoll at WWTC in 1980, courtesy Jeff Lonto. . Minneapolis Star, Thursday, August 20, 1964. Don reminded me about the Colonel and his pitch prowess. At the time it was billed as The New WDGY Your Radioactive Station! Top 40s available from July 21, 1956 on do show that the playlist was definitely rock n roll, although they played a lot of cover versions and a lot of schmaltz. One song in 57 looks suspiciously local: Paddlin Ingabord Home by Ole The Singing Janitor. He taped the call, didn't know it was me, and used it on the air. Although I adored KLBB, which 1400AM took on in 1981. You can view more history by clicking the following web address:http://en.wikipedia.org/wiki/KFAN_%28AM%29 And also at: http://en.wikipedia.org/wiki/WDGY. When Hagman moved to WDGY, he brought the Top Forty concept with him, as well as the Mutual Broadcasting System, which aired programs like Queen for a Day and Sergeant Preston of the Yukon. A schedule from April 1955 shows Eddie Cantor and a lot of Springtime Serenade, but also shows just identified by the DJ (Bill Rudd and Irv Smith put in a lot of time.). According to PD Chuck Roberts, the new format is closer to AOR than Top 40 radio. The first song was Bad Blood by Neil Sedaka. But in Minneapolis-St. Paul a good part of the year was snowbound and it was really hard to see the billboards through all that sleet. On December 16, 1964, afternoons changed from jazz to Rhythm and Blues. Merle announced me when I called in, and gave me five seconds of dead air to start my home recorder at 78 rpm. Rock Around the Clock was recorded in 1954 and became big news in 1955. A 15-year-old polio victim was smashed, face-first, into the pavement and sent home bleeding. The turning point came one night around [January 1956] when we tuned in the Tommy and Jimmy Dorsey Show on TV and they had on Elvis Presley They predicted that he and his music would be the wave of the future, and when we heard what he sang and how he sang it, we began to be concerned. Sources are cited, if known. Hagman had previously worked for WLOL, whose owner, Ralph Atlass, had adopted the Top Forty format during Hagmans time there from 1947 to 1952. They promise infrequent and low-tone commercial announcements.. The first two sites below focus of Twin Cities radio stations, while the third is mostly national. In November 1977 the Insider reported that the station was working around to the album rock format from Top 40. Around the fall of 1979 it went to adult contemporary,: and they also picked up Bob Allards and Larry Kings talk shows in the late evening. or use search to go right to what you are looking for: watts) you could hardly pick up the station 5 miles to the south of the site, but the signal had an effective radiated power of 300,000 watts to the north and went right over the North Pole into the Soviet Union. The first lineup of DJs was Hall Murray, Phil Page, Sam Sherwood, Bob Chasteen, Bob Friend, Randy Cook, and Dick Halvorson John McCrae was the first General Manager, and Sam Sherwood held that position throughout the 60s. As they were limited by their then-daytime only license at 980 AM, they started up WPBC-FM at 101.3 MHz in August 1959, simulcasting the AM station. Except that police reported that the incident only involved several youths. Ramsburg says, Let me put it this way it was all show-biz. CLICK IMAGE TO ENLARGE, 1969 photo of Jim Dandy at the control board in the Bloomington studios, Jay J. Reportedly one of them was a one hour program playing rockabilly and R&B perhaps the first in the area. The control board, counters, carts, walls, microphone, everything. A free sample is waiting for you at any Provident Drug Store. Whether this was related to the disturbance was not quite clear. WDGY: 740 AM: Oldies: Borgan Broadcasting: KUOM "770 Radio K" 770 AM 100.7 FM, 106.5 FM, 104.5 FM: . The names of the shows were pretty ambiguous: In most cases programs were identified by the names of the DJs: Personalities selling time in this 1953 broadcasting magazine were, January 19, 1953 ad Courtesy mnkidvid.com. It was started through his Minneapolis Brokers Association, which bought the two-hour Sunday time slot from KUXL after Adams and his associates sold enough advertising. the second line is pretty shocking: Skotchs research concluded that the suburban housewife was a lonely person was too busy to hear her troubles and who tied herself in knots over small problems. On August 28, 1981, the station was purchased by Soho Broadcasting, Stanley Soho, President. Theres a ton of stories circulating about Top 40 began inspired by an Omaha tavern juke box, developed by a college statistical department, guided by BBDOs Hit Parade formula for Lucky Strike you name it. Show more. SOLD JUN 14, 2022. Interestingly, he was listed as age 29, she 24. Peterson said R&B never even paid salaries. From 1 to 3, Mike Cunningham would be on the air, and then from 3 to 5, Paul Helm, the man people loved to hate. Glover finally finally took two weeks vacation in New York City and never came back. [He became a freelance writer and contributing editor for Circus, a music magazine.]. Dateline Minneapolis, March 13, 1966. In 1962 WDGY broadcast the Vikings games. The January 1973 tape is poor quality. Storz's stations were heavy on promotion, headline-grabbing contests, and high profile dee-jays (usually using echo-chamber microphones). Kamman produced live broadcasts from Mitchs Roadhouse in Mendota and hung out at the Club Casino in the Hotel St. Paul where the big bands played. At night (with 25,000 watts) you could hardly pick up the station 5 miles to the south of the site, but the signal had an effective radiated power of 300,000 watts to the north and went right over the North Pole into the Soviet Union. He truly loves the business. That kind of ended when Mr. Purcell reminded them that WCCO, like every station, is required by FCC rules to know who their advertisers are. WPBC: No, thats not a mistake. 1/6/1961 Bill Diehl - 23 MB 7/10/1963 Bill Diehl - 8 MB (provided by Phil Kitchen) - February 1964 Much More Music is simply that WDGY played, and is playing, more music with the bright pace of the modern sound. WDGY Hit Car - Late 60's. Who is this guy? Visit http://www.radiotapes.com for historic airchecks of Minneapolis/St. The roof hadnt collapsed, but the rafters were charred black. The policemen called for backup and the melee started. The next morning we were all there and I still remember seeing Howie Anderson shoveling the wreckage out the engineering entrance. As the tower hit, a light fixture fell and narrowly missed Bob Morgan, who was on the air talking about the weather.. Photo courtesy Jeff Neuberger. On this tape you will catch Johnny in the middle of a WeeGee Triple Power Play at the home of the "Twin Cities Most Music." Preacher Paul reported that the show drew an audience of 5,000 people! The problem was that by the time he got to a place that had soul food, it was all gone. The Colonel loved the whole idea and agreed to do it. Although the records say that KUXL was granted the license to increase its power to 1000 watts on October 1, 1963, Will Jones of the, Both KFMX 104.1 and KRSI 950 am flipped to Music of Your Life as KRSI AM-FM that day, with Don Shore as the Program Director and morning host. It now programs its oldies format along with local hosts in-house. So little time. Heres a group shot of the Country WDGY airstaff from late 1978 or early 1979, taken at a Conway Twitty concert at the Minneapolis Auditorium. Covering black music was standard operating procedure in those days Pat Boone made a fortune covering Fats Domino records. The first of the stations catchphrases was My Mommy Listens to KDWB., Ad from September 19, 1959 courtesy Jeff Lonto. Phone : (651) 436-4000. . Stand with Ukraine. WISK, soon to be known as KDWB, was at 630, a spot no one in the listening area had ever heard, or even heard of. Stronger, clearer than ever before. Photo dated November 6, 1942, courtesy Minnesota Historical Society. In a 1972 article the Insider noted the leaky roof and yellowed wallpaper at the aging studio in St. Louis Park. But stay tuned. Shows like Record Reville, Melody Mart, Platter Previews, The TNT Club, and mid-1955s Hot Corner dont give us much to go on as to their format. Merle Edwards was at WMIN from 1949-55 and had shows like Merle Edwards Caravan and Merles Mad House. Bill Diehl tells the story that a car dealer called Slawik Motors wanted to sponsor a show, but it insisted that the DJ call himself Hub Cap. The station approached Diehl, but he thought the idea was ridiculous he was a columnist for the St. Paul Pioneer Press, after all, and had a recognizable name. Forrest Powers published his own interview with Ed Skotch on October 7, 1963, in the Star. They look really young. One even has a snippet of Loni Anderson! The station had a conglomeration of programs, ranging from waltzes, classical, show tunes, Tin Pan Alley, Hawaiian, religious, cowboy, and novelty. (Minneapolis Star, October 18, 1966) Interestingly, the name of the act was never mentioned in the news reports. In April 1957 the studio was in the Builders Exchange Building in downtown Minneapolis, and the transmitter was described as WDGY Transmitter Plant, Oxboro, Minn. KDWBs general manager at the time, Gary Stevens, claimed that they did not buy WYOO-FM to shut down a competitor, but rather to take advantage of what they saw as a good deal. The station was one of the first stations in the country to program rock and roll music in a top 40 format in the mid 1950s. I encourage you to check back from time to time. The new manager of operations was William Stewart, ironically replacing WPBC owner Bill (and wife Becky Ann) Stewart. The contributer, 'wild wilson' a/k/a as'wildman' has his onw internet polka radio show. Supposedly, a gentleman that lived within the main lobe of the pattern had decided to wind copper around his attic and, with an appropriate capacitor, made a tuned circuit at 1130 which allowed him to power his florescent lights. Those Yearbooks and a Minneapolis Star Tribune article dated April 30, 1988, provide the details below. The KDAN Remote Caboose Studio was used in the early 1970s for commercial remote broadcasts and for broadcasting from the Minnesota State Fair. For that matter, we were discouraged from using the term teenager too. Thanks again for the responseand thanks for the great website! (KUXL is loaded with preachers earlier in the day, but most of them are called Brother or Doctor.) The radio studios are on Utica Avenue South in St. Louis Park . WDGY (740 kHz) is a commercial AM radio station licensed to Hudson, Wisconsin, and serving the Minneapolis-St. Paul radio market. 1 tune was Ernie Ford singing Mule Train, and can you imagine me calling from home on the phone that we werent playing Mule Train often enough? . They are posted here for historical examples of top 40 radio from one of the originators, Storz. We ran through the frigid Minnesota December weather to get to the production room. Crocker, and Brad Piras. A fellow out of Texas, after first commissioning himself a Colonel, was bottling what was essentially sweet prune juice, calling it Serutan, and telling the great American radio audience over and over again, day after day, Serutan is Natures spelled backwards. We hope you will enjoy our first birthday edition YESTERHITS FROM YESTERDAY and join us in listening to the second year of Much More Music on 1130 Radio WDGY. At that time the station was also playing show tunes, Lawrence Welk, and shows like Dragnet, Bob Hope, The Great Gildersleeve, and biographies. Good music. So stunned were most of us, the gravity of situation was difficult to grasp. 1945. In the summer, you waded through chest high weeds and as important as noting the amperage, was pulling (and, for sport, counting) any number of wood ticks that would jump on you for the ride (I counted 27 one day.). In late 1935 a new non-directional 226 Truscan Steel Vertical Radiator (tower) was erected at the site. The general manager (Mike Sigelman) and program director (Rob Sherwood) (1974), both hired from established Top 40 station KDWB, felt a major change needed to be made. http://twincitiesradioairchecks.com/wdgy1130tapes.html. Along with enough news to give you information, but not anxiety. [made possible by the late summer daytime hours] Now he also does a Saturday afternoon session from 1 to 5. Frequency. I hope you enjoy them. In the September 1965 issue of Twin City a-Go Go magazine, Preacher Paul had a column called Heres Hip Happenings. At the end he talked about the concerts, and said that as he was writing the article, the most recent one was the Ike and Tina Turner concert on August 1. Guy Lombardo records were used as a transition between the hillbilly songs and religious programs, reported Will Jones in the Trib on August 18, 1952. Wayne Red Williams was Station Manager and Ray Christensen was Program Director. Congress amended the FCC Act in September 1960 to provide penalties short of license revocation for violations of FCC rules. The format was Country With A Kick. There was a three tower directional array, and a transmitter that looked more like a refrigerator. It was the old WPBC studio on Stinson Blvd., near Broadway, abandoned because of freeway construction. The transmitter was destroyed by fire on February 23, 1933 and the station operated with WCCOs old transmitter. Zingale urged the Tedescos to change the stations format to all R&B, and they considered it, but since they were only a 1,000 watt daytimer, they figured that a more powerful station would just steal the format and leave them hanging. Some not so happily as others, he admits. The news is left in and you will hear about the big CPI index increase. Ike and Tina Turner appeared at the Minneapolis Auditorium under the auspices of Preacher Paul and KUXL on August 1, 1965. See more about Preacher Paul on the Disc Jockeys page. Much later, in 1977, Kosofsky would transfer his shares to Miriam Warshaw. In February 2022, the station resumed broadcasting in AM HD. The call letters were changed back to WMIN later that year. The recordings of the contributors to this web site who recorded them off the air may show up on other sites. I did not get to talk to the Twin Cities until 1972 when I was hired as a part-time DJ at KTCR-FM, a country station in Minneapolis. When you hear it, youll find youve been missing enjoyable listening Music, mature and distinguished, in distinctive settings and performance . Some of the airchecks are off reel to reel tapesthat were recorded off the air by the web site creator. In late 1953 there were shows called Saturday Date and Rhythm at Random, but what they played is anyones guess. At least 48 times a day, if you happened to be tuning across the dial at that exact time all you could hear was the Colonel saying, You remember me? I had hired Don French to be the KDWB PD. 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